Skip to main content

Scenery Details

Added dirt and some vegetation today. The dirt is sand from the Lockwood Valley. If this was a working layout I'd be somewhat hesitant to use sand as ground cover, for fear it might find its way into locomotive mechanisms, but this is a mostly passive diorama, so not much of a concern there. The vegetation is Woodland Scenics and other brands of ground foam. I plan to add other plants, including some fake fur grass tufts and sisal twine reeds at the bottom of the slope.



The background hills are coming out very blue in all my photos. I installed LED tape lights, which are giving everything a bluish cast that I can adjust for in software, but I can't seem to eliminate in the background. I may try swapping the cool white LEDs for warm white.

Update: Now that I look at it, I think the problem is that I got carried away with the black wash on the background hills. They really are more grey than tan. I'm considering whether to repaint with the tan paint, then use a red-brown wash instead of black. Or just leave it. The blue cast does make the hillside seem farther away in photos.




The pines in the background are Woodland Scenics metal-trunk kits from way back. They are closer than anything else I have found to the pinyon pines that are common on the lower slopes around the Lockwood Valley. I have another batch on order. See the picture below for what I am going for. 

The foreground plants are dead or dormant sagebrush. I came across an article here http://www.pacificcoastairlinerr.com/brush/ on modelling this kind of brush with fake fur. Early experiments are promising.



Here's a picture of some attempts at fake fur sagebrush:



All of these started with brown fake fur because I have a lot of it on hand -- someone gave it to my wife several years ago and it's been in a box in the garage ever since.

My first effort was to color the brown fake fur with gray paint. I tried a couple of colors -- most are done with Model Master Camouflage Gray -- applied with an airbrush. The line of bushes running diagonally across the right side of the photo represents this group. Weird thing: What looks good outdoors in the sunlight, looks much too blue under the LED lights inside. Doesn't blend at all with the predominantly brown colors of the rest of the scenery. The photo above was taken with the LEDs turned off, using just the flash on my Google Pixel 4a phone, and it looks okay. This has me thinking again that I may need to replace the LED tape lights just above the diorama with warm white tape lights.

The cluster of brown bushes on the left were brush painted with an old bottle of Poly S Earth. These look too brown to me, and anyway, the brush painting messed up the nice, fluffy texture. 

Top center is a single bush done with Model Master Sand. This is an enamel and seems to cover better than the acrylics, and the color is good, both in person and in photos. I don't know if I can get the same color in an acrylic. If I have to, I'll work with the enamel. When I have time, I'm going to try making up a batch in this color, with maybe a few drops of green added, then sprinkle on some yellow Woodland Scenics foliage to represent blossoms.

Addendum 4/8/22: Still experimenting with the sagebrush. I picked up some gray craft fur (Joann's sells 9x12 pieces, which will make a lot of sagebrush) and a bottle of Vallejo Light Green Gray, #70971, which looks like a pretty good sage color. I plan to break out the airbrush over the weekend and try applying the Vallejo paint to both brown and gray fur tufts.

I've also pretty well determined that I need to replace the LED tape lights with warm white.

Addendum 4/11/22: I added castings and basic ground cover on the last part of the diorama over the weekend. I also found a bag of AMSI gray ground foam, applied it to a tuft of gray fake fur, added a good sprinkle of Woodland Scenics yellow flowers, and I think I'm finally really close to what I was looking for to represent sagebrush. I'm going to make up few more of these and try spraying them lightly with the Vallejo light green-gray before adding the flowers, but this looks really close. I showed it to my wife, and asked her what it looked like, and she said "sage." I knew there was a reason I love that woman.

While I had the diorama outside finishing the painting, I took a few pictures in natural light, and they look pretty darn good to me. 














Comments

Popular posts from this blog

Side-Tracked

The other day, as my wife and I were rearranging some furniture in the living room, she made the comment that it might be fun to put a small train display on a side table where she normally displays some potted plants. She had in mind my Lockwood & San Emigdio On30 diorama, which she's watched me work on the last several months -- but of course, the suggestion got me thinking in other directions. Since the purpose, at least in part, will be to entertain the grandkids when they come to visit, it makes sense to have a continuous lap. Since the tabletop is only about 25 by 54 inches, that limits me to a 10 or maybe 11 inch radius, a bit more if I overlap the tabletop a few inches. I'm thinking On30, so that's too tight for any of the equipment I currently own. There are some people doing wonderful work in On30 building mini- and micro-layouts with these kinds of curves and smaller, using the Bachmann 0-4-0 and 0-4-2 Porters, Davenport gas-mechanicals, and other small switc...

Side-Tracked, Continued

I was cleaning my garage the other day and pulled out a 30x60 inch layout I started some years back in HOn30, but abandoned pretty quickly. The trains were just too small for me, and there wasn't a lot of equipment available -- there's no equivalent of Bachmann's relatively cheap and plentiful ready-to-run On30 cars and locomotives, and only a few kits. I'm kind of taking this as a sign from the fates. The overall size of the old, partly built layout is in the upper range of what I was thinking about doing in On30. The curve of N scale track at the left end in the photo is 12 inch radius, and the right end is 13 inches, both in the range of what I was considering. The rest of the track plan doesn't translate so well -- the plan drawn on the board has a passing siding on the front side that would have been short in HOn30 and would have been all but useless in On30. The upper level branchline track has a 9 inch curve, which is probably too tight for anything but an 0-...

Lockwood & San Emigdio Narrow Gauge

I haven’t talked much about my other railroad, the Lockwood & San Emigdio, a narrow gauge line that’s even more of a figment of my imagination than the B&V. It serves mining and logging areas at the east end of Lockwood Valley and a few miles to the east, around Mt. Pinos, Frazier Mountain, and the modern-day communities of Lake of the Woods and Pine Mountain Club. Gold mining in southern California goes way back – the first placer discoveries in California, before the better-known Gold Rush up north, were in the Santa Clarita area not far south of the Frazier/Lockwood region. In the later 1800s there were placer workings and a few small mines around Frazier Mountain and Mt. Pinos, and an antimony mine on Antimony Peak with a cable tram carrying ore to a mill the base of the mountain. In the late 1890s, a prospector named McLaren, poking around on the south side of Mt. Pinos, spotted a white crystalline material that looked similar to something he had seen at a mining exhibitio...